Djordi Komrij

The twirling of hair, caressing of a cheek or the squeezing of a chest. Subtle acts of intimacy that are confined between the four lines of my bathroom mirror.    

A tightly squished square, a vacuum. Blurry, soft limbs. Is it a penis or a tongue? A leg or an arm? Folds upon folds upon folds sucking you in. A place where subject like (the queer) identity, intimacy, the body and anonymity all come together. I approach my subject up-close and devoid them from its context to a certain extend. A search where commonness and abstraction create space for tenderness and eroticism. Hiding what wants to be seen, choosing safety over vulnerability.    

With this as a starting point I paint and sculpt, looking for ways to materialize certain feelings and memories. Exploring traces that dwell on my skin or in a room. Traces left by others, either emotionally or physically, whilst at the same time investigating the relationship I have with my own body. Using imagery seen in gay dating apps like Grindr, fetishised body parts and classical paintings, I look for the borders where masculinity and femininity intersect withing this vessel of mine.  

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Projects

Anything the sun doesn’t touch
Because my mouth was already full
Helsche boosheit V.II - NEW RITUALS
Watersportweek
The rhythm of your breathing
13
Presence IV
Presence III
Flood
Pond(er)






Djordi Komrij

Djordi Komrij (1999) is a queer multidisciplinary artist whose work mainly revolves around encapsulating traces that people leave behind. How do we perceive the space around us and the people in it? How does body store and recollect memories?

The transformative nature of elements such as the warping of air around a flame serves as a source of inspiration for his approach to making. Creating landscapes with sculptures, photos and paintings, Djordi attempts to reconsider in which ways our presence lingers when we’re no longer here. Ultimately pursuing a broader comprehension about the very nature of being.


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